| September 30, 2010 |
| 20:30 | to | 23:30 |
Lost Voices - Thursday September 30th
Tickets £5/3 on the door.
Doors open @ 8.30 and… music until late
Living Room
(Manu Delago - Hang, Christoph Pepe Auer - Bass Clarinet)
www.myspace.com/duolivingroom
Living Room are officially the first, probably the only, and definitely the very best bass clarinet & hang duo in the world! They played at Lost Voices a year or two ago and amazed everyone with their subtle virtuosity, some beautiful original pieces and a cover of ‘Smells like teen spirit’. We are really pleased to have them back as they launch a mammoth European tour promoting their new album, ‘Colouring Book’
Stealing Sheep
www.myspace.com/stealingsheep
A first appearance at Lost Voices for the latest incarnation of this lovely trio. Some gorgeous songs, some beautiful vocal harmonies and the real spirit of contemporary folk.
Matthew Wood
www.myspace.com/thewoodster
Fine accordion playing from the one and only Mr Wood, of this parish. Well known as one of the legendary, deadbelgian, Matthew will present for us a solo set of his own compositions.
Pablo de Lillo
07 October - 30 October 2010
Exhibition: Spanish artist Pablo de Lillo uses drawing, painting, sculpture or collage to develop his work of shaped formal presence and symbolic ambiguity in a calculated installation that enhaces the dialogue between the work and the viewer.
Private View: to be confirmed
“Modernism is for him a huge store where he finds to take parts and pieces for his artistic bricolage. His objects and artifacts or drawings dont talk the utopian language of the pioneers, as they look much more like fragile and isolated words of a discontinued language .
Made of aluminium, fibreglass, cardboard or wood, his work adopts the form of an old modernist style building in south america or becomes a handmade replica of a bauhaus famous chair devored by mass production and middle class taste.
Revisiting the objects, buildings or artworks of our disillusioned past is the way Pablo de Lillo questions our complex present . His domestic scale works surround us like everyday objects, but its useles condition makes this aproach sometimes a disturbing experience althoug the elegance of its formal language.”
